Marie z chino biography of abraham
(1907–1982)
Pueblo: Acoma Pueblo
Marie Zieu Chino was a Native American potter from Acoma Pueblo, and recognized as one of the three most important Acoma potters during the 1950s. The inspirations for many designs used on her pottery were found on old potsherds gathered to use for temper which led to the revival of ancient pottery forms and designs.
In 1922, Chino won her first award at the Santa Fe Indian Market at the age of fifteen. She went on to receive numerous awards for her pottery from 1970-1982. In 1998 the Southwestern Association for Indian Arts recognized her with a “Lifetime Achievement Award.” Marie Z Chino became particularly well known for her fine-line black-on-white pottery and vases with the step design. Her pots were distinctive in their complex geometric designs as well as the combination of life forms and abstract symbols. Some of her favorite designs include: Mimbres animals, Tularosa swirls, Acoma parrots, rainbows, bushes with berries, leaves, rain, clouds, lightning and fine-line snowflakes.
When Chino traveled to the Indian art shows or the Indian Market in Santa Fe, she often took her family with her meeting people from around the world who loved to collect their pottery. This instilled a sense of pride and unity throughout the Chino family. Marie’s daughters Carie, Grace and Rose, as well as her descendants have carried on the tradition of making fine Acoma pottery.
Marie z chino biography of abraham
American artist
Marie Zieu Chino (1907–1982) was a Native Americanpotter from Acoma Pueblo, New Mexico. Marie and her friends Lucy M. Lewis and Jessie Garcia are recognized as the tierce most important Acoma potters significant the 1950s. Along with Juana Leno, they have been entitled "The Four Matriarchs" who "revived the ancient style of Acoma pottery." The inspiration for repeat designs used on their stoneware were found on old potsherds gathered to use for threatening.
Together they led the awakening of ancient pottery forms inclusive of the Mimbres, Tularosa and on various cultures in the Indian region. This revival spread yearning other potters who also be a success the old styles, which rigid to new innovative designs bid variations of style and form.
Career
In 1922, Marie won her extreme award at the Santa Come down Indian Market at the hour of fifteen.
She went thoughts to receive numerous awards long her pottery from 1970 peel 1982. In 1998 the Southwesterly Association for Indian Arts formal Marie with a "Lifetime Culmination Award."
Marie became particularly well make public for her fine-line black-on-white ceramics and vases with the jointly design.
Her pots were discrete in their complex geometric designs as well as the layout of life forms and unpractical symbols. Some of her pet designs include: Mimbres animals, Tularosa swirls, Acoma parrots, rainbows, bushes with berries, leaves, rain, clouds, lightning and fine-line snowflakes.
Marie was the matriarch of rectitude Chino family of potters.
She helped her children and grandchildren learn the fine art watch pottery making and had numerous students. Marie had five successors who were potters, "of whom Grace, Carrie and Rose attained reputations as excellent potters." Earthenware by her daughter Vera Fabric is held by the Writer Museum o Marie is a variation of the feminine given name Maria. It is also the standard form of the name in Czech, and is also used, either as a variant of Mary or Maria or a borrowing from French, in Danish, English, German, Norwegian, and Swedish. Marie, Marié or Mariê (真理絵、万里絵、麻里絵、まりえ、マリエ) is also a feminine Japanese given name. French Marie, just as Italian/Spanish Maria, is traditionally also used in masculine compound names or more rarely as a middle name, especially in Catholic families. Main article: List of people named Marie (1931- Unknown) Emmalita Chino was inspired by her mother-in-law, Marie Z. Chino, to learn the art of pottery making. Marie taught Emmalita all the fundamentals of traditional pottery making, also sharing special techniques which Emmalita then applied to her own pottery, improving by trial and error. Emmalita specializes in handmade traditional pottery. She gathers natural pigments from within the Acoma Pueblo, soaks the clay, grinds, cleans the clay for imperfections, mixes, hand coils, shapes, sands, polishes, paints, and fires her pottery, the traditional way, outdoors. She hand paints, without stencils or other means, intricate fine line patterns, some of which are borrowed from her mother-in-law. She also uses all natural paints derived from plants and minerals also found within her pueblo. Continuing the family tradition of pottery making is very important to her.Marie (given name)
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Pueblo: Acoma Pueblo